Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith's slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison's Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

View the Table of Contents.
Read the Preface.

"Possibly the best title of the season."--"Books to Watch out For"

"A thrilling, imaginative, and brilliant reading of contemporary cultural politics from one of the freshest voices in the field today. Dwight McBride's graceful prose, sharp wit, and sound judgments leap from every page. His essays sparkle with abundant intelligence--and a striking personal investment--as they lead the reader through a complex array of ideas, practices, and situations without losing sight of the ultimate intellectual and political liberation at which they aim. Bravo!"
--Michael Eric Dyson, author of The Michael Eric Dyson Reader

aA fair warning from an intelligent, well-informed writera
--Alter Magazine

"McBride has emerged as one of the most eloquent public voices in both queer studies and black studies. In this wide-ranging book--written with intelligence, passion, and humor--he brings the insights of each field to the blind spots of the other. We all have something to learn from him."
--Michael Warner, Rutgers University

"McBride's heady collection is an accessible think piece, starting with its agreeable title and its pointed essay of the same name."
--"Time Out New York"

"This collection breaks new ground for contemporary cultural criticism. McBride's look at homophobia in traditional African-American studies is an emphatic but penetrating critique of the discipline, and his explication of the ghettoization of black men in gay male porn is truly original work with ramifications well outside of queer studies."
--"Publishers Weekly"

"McBride's prose is smart, on-target, and very readable. These essays are notsimply illuminating, but some of the most eye-opening commentaries on gay culture to be published in years."
--"Between the Lines"

"This is one thought-provoking book."
--" HX/HOMO XTRA"

"Dwight A. McBride writes eloquently about the issues of race and homosexuality."
--"Philadelphia Gay News"

"McBridge expends more intellectual energy justifying his dislike of the popular clothing chain than perhaps any other person on the planet."
--"Evenings Out Chronicle"

"Eloquent collection...engagingly- and, for an academic, unorthodoxly- autobiographical."
--"San Francisco Bay Time"

"McBride's volume is a provacative and wide ranging exploration of a range of issues relating to race and sexuality."--"Bay Area Reporter"

"The book's namesake essay- a scathingly detailed and systematic study of the history, advertising practices, and hiring policies that comprise the "cult of Abercrombie"- makes the collection a mindblowing must-read...timely, disconcerting, and riveting in a way that academic writing should be, but rarely is."--"Girlfriends"

"Working across cultural studies, gay and lesbian studies, and race, ethnicity, and feminist studies, McBride attempts to ponder, address, and, where possible, rescue both African American studies and queer theory from the pitfalls of ignoring each other. This project is admirable to the extent that, not unlike black feminists a decade or more ago, scholars and intellectuals of McBride's generation refuse to make choices between race and sexuality- especially when that sexuality is considered deviant."
--"GLQ: A Journal of Lesbian and Gay Studies"

Why hate Abercrombie? In a world rife with human cruelty andoppression, why waste your scorn on a popular clothing retailer? The rationale, Dwight A. McBride argues, lies in "the banality of evil," or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture.

McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media representations, the role of African American studies in higher education, gay personal ads, and pornography, he offers the evolving insights of one black gay male scholar.

As adept at analyzing affirmative action as dissecting "Queer Eye for the Straight Guy," McBride employs a range of academic, journalistic, and autobiographical writing styles. Each chapter speaks a version of the truth about black gay male life, African American studies, and the black community. Original and astute, Why I Hate Abercrombie & Fitch is a powerful vision of a rapidly changing social landscape.

Praise for "Impossible Witnesses":

"A necessary and compelling work.
--Toni Morrison

"McBride teases out complexity and depth heretofore overlooked. Don't miss this important text!"
--Cornel West

"Ambitious and thought-provoking."
--The Journal of American History

"His rich volume takes up the complex and strategic discourses that circulated around the truth of slave testimony....actively engaging."
--"American Literature"

Even the most cursory review of black literary production during the nineteenth century indicates that its primary concerns were the issues of slavery, racial subjugation, abolitionist politics and liberation. How did the writers of these narratives "bear witness" to the experiences they describe? At a time when a hegemonic discourse on these subjects already existed, what did it mean to "tell the truth" about slavery?

Impossible Witnesses explores these questions through a study of fiction, poetry, essays, and slave narratives from the abolitionist era. Linking the racialized discourses of slavery and Romanticism, it boldly calls for a reconfiguration of U.S. and British Romanticism that places slavery at its center.

Impossible Witnesses addresses some of the major literary figures and representations of slavery in light of discourses on natural rights and law, offers an account of Foucauldian discourse analysis as it applies to the problem of "bearing witness," and analyzes specific narratives such as "Narrative of the Life of Frederick Douglass," and "The Interesting Narrative of the Life of Olaudah Equiano."

A work of great depth and originality, Impossible Witnesses renders traditional interpretations of Romanticism impossible and places Dwight A. McBride at the forefront of studies in race and literature.

One of the most prolific and influential African American writers, James Baldwin was for many a harbinger of hope, a man who traversed the genres of art-writing novels, essays, and poetry.

James Baldwin Now takes advantage of the latest interdisciplinary work to understand the complexity of Baldwin's vision and contributions without needing to name him as exclusively gay, expatriate, black, or activist. It was, in fact, Baldwin who said, "it is quite impossible to write a worthwhile novel about a Jew or a Gentile or a Homosexual, for people refuse . . . to function in so neat and one-dimensional a fashion." McBride has gathered a unique group of new scholars to interrogate Baldwin's life, his presence, and his political thought and work. James Baldwin Now finally addresses the man who spoke, and continues to speak, so eloquently to crucial issues of the twentieth century.

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin’s writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .

Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith's slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison's Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

The James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. The James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. It is the aim of the James Baldwin Review to provide a vibrant and multidisciplinary forum for the international community of Baldwin scholars, students, and enthusiasts. -- .

The James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. The James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. It is the aim of the James Baldwin Review to provide a vibrant and multidisciplinary forum for the international community of Baldwin scholars, students, and enthusiasts. -- .

The James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. The James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. It is the aim of the James Baldwin Review to provide a vibrant and multidisciplinary forum for the international community of Baldwin scholars, students, and enthusiasts. -- .

Winner of the 2003 Lambda Literary Award for Fiction Anthology
Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and writers whom readers may be surprised to learn were "in the life," "Black Like Us" is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published. From the Harlem Renaissance to the Great Migration of the Depression era, from the postwar civil rights, feminist, and gay liberation movements, to the unabashedly complex sexual explorations of the present day, "Black Like Us" accomplishes a sweeping survey of 20th century literature.

View the Table of Contents.
Read the Preface.

"Possibly the best title of the season."--"Books to Watch out For"

"A thrilling, imaginative, and brilliant reading of contemporary cultural politics from one of the freshest voices in the field today. Dwight McBride's graceful prose, sharp wit, and sound judgments leap from every page. His essays sparkle with abundant intelligence--and a striking personal investment--as they lead the reader through a complex array of ideas, practices, and situations without losing sight of the ultimate intellectual and political liberation at which they aim. Bravo!"
--Michael Eric Dyson, author of The Michael Eric Dyson Reader

aA fair warning from an intelligent, well-informed writera
--Alter Magazine

"McBride has emerged as one of the most eloquent public voices in both queer studies and black studies. In this wide-ranging book--written with intelligence, passion, and humor--he brings the insights of each field to the blind spots of the other. We all have something to learn from him."
--Michael Warner, Rutgers University

"McBride's heady collection is an accessible think piece, starting with its agreeable title and its pointed essay of the same name."
--"Time Out New York"

"This collection breaks new ground for contemporary cultural criticism. McBride's look at homophobia in traditional African-American studies is an emphatic but penetrating critique of the discipline, and his explication of the ghettoization of black men in gay male porn is truly original work with ramifications well outside of queer studies."
--"Publishers Weekly"

"McBride's prose is smart, on-target, and very readable. These essays are notsimply illuminating, but some of the most eye-opening commentaries on gay culture to be published in years."
--"Between the Lines"

"This is one thought-provoking book."
--" HX/HOMO XTRA"

"Dwight A. McBride writes eloquently about the issues of race and homosexuality."
--"Philadelphia Gay News"

"McBridge expends more intellectual energy justifying his dislike of the popular clothing chain than perhaps any other person on the planet."
--"Evenings Out Chronicle"

"Eloquent collection...engagingly- and, for an academic, unorthodoxly- autobiographical."
--"San Francisco Bay Time"

"McBride's volume is a provacative and wide ranging exploration of a range of issues relating to race and sexuality."--"Bay Area Reporter"

"The book's namesake essay- a scathingly detailed and systematic study of the history, advertising practices, and hiring policies that comprise the "cult of Abercrombie"- makes the collection a mindblowing must-read...timely, disconcerting, and riveting in a way that academic writing should be, but rarely is."--"Girlfriends"

"Working across cultural studies, gay and lesbian studies, and race, ethnicity, and feminist studies, McBride attempts to ponder, address, and, where possible, rescue both African American studies and queer theory from the pitfalls of ignoring each other. This project is admirable to the extent that, not unlike black feminists a decade or more ago, scholars and intellectuals of McBride's generation refuse to make choices between race and sexuality- especially when that sexuality is considered deviant."
--"GLQ: A Journal of Lesbian and Gay Studies"

Why hate Abercrombie? In a world rife with human cruelty andoppression, why waste your scorn on a popular clothing retailer? The rationale, Dwight A. McBride argues, lies in "the banality of evil," or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture.

McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media representations, the role of African American studies in higher education, gay personal ads, and pornography, he offers the evolving insights of one black gay male scholar.

As adept at analyzing affirmative action as dissecting "Queer Eye for the Straight Guy," McBride employs a range of academic, journalistic, and autobiographical writing styles. Each chapter speaks a version of the truth about black gay male life, African American studies, and the black community. Original and astute, Why I Hate Abercrombie & Fitch is a powerful vision of a rapidly changing social landscape.

Praise for "Impossible Witnesses":

"A necessary and compelling work.
--Toni Morrison

"McBride teases out complexity and depth heretofore overlooked. Don't miss this important text!"
--Cornel West

"Ambitious and thought-provoking."
--The Journal of American History

"His rich volume takes up the complex and strategic discourses that circulated around the truth of slave testimony....actively engaging."
--"American Literature"

Even the most cursory review of black literary production during the nineteenth century indicates that its primary concerns were the issues of slavery, racial subjugation, abolitionist politics and liberation. How did the writers of these narratives "bear witness" to the experiences they describe? At a time when a hegemonic discourse on these subjects already existed, what did it mean to "tell the truth" about slavery?

Impossible Witnesses explores these questions through a study of fiction, poetry, essays, and slave narratives from the abolitionist era. Linking the racialized discourses of slavery and Romanticism, it boldly calls for a reconfiguration of U.S. and British Romanticism that places slavery at its center.

Impossible Witnesses addresses some of the major literary figures and representations of slavery in light of discourses on natural rights and law, offers an account of Foucauldian discourse analysis as it applies to the problem of "bearing witness," and analyzes specific narratives such as "Narrative of the Life of Frederick Douglass," and "The Interesting Narrative of the Life of Olaudah Equiano."

A work of great depth and originality, Impossible Witnesses renders traditional interpretations of Romanticism impossible and places Dwight A. McBride at the forefront of studies in race and literature.